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scriptdoc.ai traces every character's fortune
scriptdoc.ai plots every character's luck rising and falling across the story, the whole cast at once, so when one character's fortune turns, you can see exactly whose else moves with it.
Drag Hero's highlighted point up or down to see their fortune diverge, and whose else moves with it.
Drag Hero's point up or down, or tap another character above, to see their fortune diverge.
From Shakespeare's Much Ado About Nothing, public domain, analyzed by scriptdoc.ai.
scriptdoc.ai catches pacing problems, and shows you what else could happen
Tension mapped across every page, with real alternate directions at the turning point.
Drag the highlighted point up or down, or tap another beat to explore it.
Drag "The Vulture Eye Obsession" up or down, or tap another beat above, to see how the story could have diverged.
From Poe's The Tell-Tale Heart (1843), public domain, analyzed by scriptdoc.ai.
scriptdoc.ai shows you what moving a beat actually costs
Drag any plot point and watch the acts around it compress or expand, with the structural tradeoff spelled out, even for drastic changes.
Resolution is compressed almost to nothing. Moving Complete Psychological Collapse this close to its neighbor leaves almost no room for landing the consequences and letting the story settle.
Drag any beat to see the acts around it compress or expand.
From Poe's The Tell-Tale Heart (1843), public domain, analyzed by scriptdoc.ai.
Watch a text reassemble itself
A relationship, the pacing, the structure. Change any one of them, as in the three demos above, and your material is rewritten to fit.
Claudio hesitates, doubts
Much Ado About Nothing, Act IV Scene I (the wedding/altar rejection), adapted into screenplay format
INT. MESSINA CHURCH - DAY
The chapel fills with wedding guests. FRIAR FRANCIS stands ready before the altar. CLAUDIO waits beside LEONATO, who steadies HERO in her white gown. BENEDICK, DON PEDRO, and DON JOHN take their places. Music fades.
FRIAR FRANCIS
If either of you know any inward impediment to this marriage, speak now or hold your silence forever.
CLAUDIO steps back abruptly, his face hardening. He points at HERO, trembling with controlled fury. Every head turns. The FRIAR's expression fractures into confusion.
CLAUDIO
I will not marry this woman. She is no maid—she is tainted, disgraced. I saw her with my own eyes last night, consorting in shadow at her window like a wanton. This is not the Hero I believed I loved.
HERO's face drains of color. She staggers backward, her bouquet falling to the stone floor. She crumples in silence, catching herself on LEONATO's arm as gasps ripple through the assembled witnesses.
BEATRICE
Cousin! What has happened? Hero, speak! This is madness—some cruel, lying trick. I will see the man who dares slander you burn for it!
Claudio's public confidence crumbles into doubt, asking rather than condemning—Hero responds with tentative hope instead of collapse, and Beatrice shifts from defending a shamed woman to demanding honest speech.
From Shakespeare's Much Ado About Nothing, public domain, adapted into screenplay format and analyzed by scriptdoc.ai.